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Philosophical aspects of the main elements of olonkho: images and architectonic

Abstract

The study of literary works using the world coordinate system is based on the limit relative dynamic equilibria. According to this concept any natural or cultural formation can be considered from the point of view of the limits of dynamic equilibria, which converge to the three limit fundamental equilibria: identification (I – limit), system communication (C – limit) and limit rhythm of the world harmony (K – limit). Within this cell, an equilibrium is established between an arbitrary natural or cultural formation and intermediate limits of its possible dynamic equilibria. The ontological and phenomenological aspects of the image and architectonics of Olonkho allow considering it from the point of view of three limits. The first corresponds with the epic hero, the second – with the architectonics, the third – with the basic rhythms of existence of the images of the hero and the architectonics.

About the Authors

V. S. Danilova
M.K. Ammosov North-Eastern Federal University
Russian Federation


N. N. Kozhevnikov
M.K. Ammosov North-Eastern Federal University
Russian Federation


References

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Review

For citations:


Danilova V.S., Kozhevnikov N.N. Philosophical aspects of the main elements of olonkho: images and architectonic. Vestnik of North-Eastern Federal University. Pedagogics. Psychology. Philosophy. 2022;(2):63-73.

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